If you are thinking about buying a microphone that costs more than a thousand dollars, and it will be used in your home studio, consider the fact that you will want to insure it.
A Neumann purchased by a recording studio or broadcasting facility would be covered under that operation's business insurance. It becomes a line item on a balance sheet that can be recouped in the event of a fire, break-in, flood, or other catastrophe. A boutique mic you bought as an individual for home use can also be stolen or damaged, but the cost of replacement out-of-pocket is probably beyond your means. And even if you can afford to replace it, you won't be very happy about it. All the more reason a quality mic that's "Damn close" to the Neumann sound might be a better buy. Besides, if your CAD M9 takes a walk, you can probably buy a new one the next day at Bob's Music. Good luck getting a Tiffany mic replaced any time this week. (Scroll back to why I suggested keeping a Shure SM58 on hand.)
This also applies to the preamp, which can run you well over a thousand just for an Avalon M5. (It sounds great, but it's light on features.) Ah, that $65 ART preamp doesn't look so bad now, does it?
If you still want only the best in your home studio, call your insurance agent and check on getting your gear covered in your homeowners policy. Put on your Big Boy pants and pay the insurance. It's worth it.